I'm greatly inspired by art, history and nature. I have a particular love of the Arts & Crafts movement and enjoy using similar principles - such as natural forms, medieval motifs and a celebration of glass as a material - in my own personal projects. I find that my printmaking and work in glass often feed into each other, I enjoy the graphic nature of both.
Painted and stained glass, copper foiled, mouthblown glass border, 2026.
I loved the Brambley Hedge books as a child - I enjoyed the challenge of trying to make the soft, watercolour style of the original illustration work in glass paint for this piece.
Painted and stained glass, bordered in lead, 2026.
This study comes from a tapestry featuring Narcissus held by the Rijksmuseums, using a textured matt and loosely worked background to add interest to the design.
Leaded and painted glass, antique lantern slide, 2026.
This piece was selected for exhibition at the Harley Open 2026,
Leaded and painted glass, with mouthblown glass border, 2026.
Featuring 16th century Dutch floral textile motifs, this panel uses Elliot Walker mouthblown glass to add colour to the grisaille paintwork.
Leaded, painted and stained glass, 2024.
Inspired by a 1863 Henry Holiday tracery light, this panel explores the application of Arts & Crafts ideas of freehand cutlines and a focus on 'natural glassiness'.
Leaded, painted and stained glass, 2023.
This piece explores medieval painting techniques, situating a historic replica within a modern geometric design.
Linoprint, ink on paper, 2026.
Linoprint, ink on paper, 2026.
Linoprint, ink on paper, 2020.
Linoprint, ink on paper, 2021.