philosophy

I particularly enjoy the inter-disciplinary nature of conservation, which combines my interests in art, science, craft, history, research and writing. I approach my work methodically, tailoring my conservation approach to the 'problem' in question, while maintaining high levels of craftmanship. Accessible communication is vital for conservation. As a strong writer, I am capable of producing clear, consise documentation that is accessible to a variety of stakeholders. I follow industry guidelines, such as the Corpus Vitrearum guidelines for the conservation of stained glass and Historic England's Conservation Principles, Policies and Guidance. This allows me to work ethically and in accordance with best practice, ensuring the best outcomes for the objects in my care. As an ICON committee member, I benefit greatly from the experience and wisdom of my fellow committee members, who constantly introduce me to new methods and techniques.

conservation documentation

An image of a 17th century panel, depicting Apelles and the Cobbler, in a bad state of repair.

Apelles and the Cobbler Conservation Report

A close up image of a stained glass panel. One of the lead cames has an unusual long mark on the surface.

Medieval Leads Condition Report

conservation practice

An image of myself cleaning a Victorian window with a cotton swab

Cleaning a 1880s Mayer of Munich panel at Rainbow Glass, Edinburgh

A series of photos showing the progressive cleaning of a medieval geometric panel.

Progressive cleaning of a 13th century medieval panel

A copper foil repair in the 'Roberto Rosa' style